Search results for " Bergman"
showing 7 items of 7 documents
Einstein's Washington Manuscript on Unified Field Theory
2020
In this note, we point attention to and briefly discuss a curious manuscript of Einstein, composed in 1938 and entitled "Unified Field Theory," the only such writing, published or unpublished, carrying this title without any further specification. Apparently never intended for publication, the manuscript sheds light both on Einstein's modus operandi as well as on the public role of Einstein's later work on a unified field theory of gravitation and electromagnetism.
Filmowe rozmowy na ekranie i przed ekranem. O wieloaspektowej dialogiczności filmu
2020
Autor artykułu zwraca uwagę na podwójną dialogiczność filmu: jako komunikatu kierowanego do widza oraz jako źródła inspiracji do rozmów publiczności. Od początku istnienia pierwszego audiowizualnego medium, jakim jest film, rozmowa stanowi część narracji, której adresatem jest widz. Słowa obecne w filmie to komunikaty, które dostarczają informacji o przedstawionym w nim świecie, wpływają na rozwój akcji i tworzą atmosferę scen. Filmowe monologi czy rozmowy, będące w istocie dialogiem z widzem, umożliwiają zagłębienie się w znaczenia kreowane przez twórców filmów, którzy dotykają także spraw istotnych. W artykule przywołane zostały przykłady takich rozmów, zaczerpnięte z twórczości Krzysztof…
The Seal on the Seventh Art: Bergman and the Fårö Island
2015
Over the past two decades, the link between culture, economy and local development has been growing. Film-induced tourism is a phenomenon that has only recently been created, sometimes unintentionally, thanks to television programs or films that have expressed a growing bond between the narrated events and the land or environment. The aim of this paper is to examine the case of a movie tourism proposal relates to film productions out of date, although very important in the past. We discuss the relation between film-induced tourism and the work of Swedish director Ingmar Bergman, with specific reference to some of his films in his beloved island of Fårö.
Lo spazio bergmaniano ne Il posto delle fragole
2016
Una delle prerogative della Geografia è quella di essere spiegata e illustrata agli allievi attraverso molteplici strumenti a disposizione del docente. Uno di questi strumenti è la visione di un opera filmica o di parte di essa. La proposta didattica di questo contributo riguarda la visione di un opera del regista svedese Ingmar Bergman al fine di discutere principalmente del significato del concetto di luogo. One of the opportunities of Geography is to be explained and illustrated to students through various resources available to the teacher. One such tool is the vision of a movie or part of it. This paper is the outcome of a didactic proposal for students regarding the vision of a film o…
Tempo congelato e musica in 'Sussurri e grida' di Ingmar Bergman
2016
Il contributo intende offrire alcuni spunti di indagine sul rapporto fra Bergman e la musica, focalizzandosi sul film "Sussurri e grida" del 1972 e allargandosi a una meditazione più ampia incentrata sulla presenza di alcune tematiche ricorrenti (l'infanzia, la morte, il ricordo). A fungere da 'trait d’union' è la concezione del tempo che Bergman elabora all’interno del film e che assume particolare rilievo alla luce del ruolo che vi ricopre la "Mazurka in La minore op. 17 n. 4" di Chopin.
Spectra and essential spectral radii of composition operators on weighted Banach spaces of analytic functions
2008
AbstractWe determine the spectra of composition operators acting on weighted Banach spaces Hv∞ of analytic functions on the unit disc defined for a radial weight v, when the symbol of the operator has a fixed point in the open unit disc. We also investigate in this case the growth rate of the Koenigs eigenfunction and its relation with the essential spectral radius of the composition operator.
William Kentridge, la innovación de un artista plástico en la ópera
2022
Según el ideal wagneriano de la Gesamtkundstwek. en la ópera se concita al mismo tiempo la música, la poesía, la escultura, la danza, la pintura y la arquitectura. El canon operístico del siglo XX va indisolublemente unido a los nombres de Malévich, Picasso, Miró, Dalí, Chagall, Léger, Arroyo o Hockney, cuyas aportaciones abrieron nuevos interrogantes a la experiencia estética que ofrece la ópera. En el siglo XXI los artistas plásticos introducen procedimientos nuevos como el video arte, el vestuario digital o la realidad aumentada que aportan una nueva dimensión al paradigma operístico convencional. Este artículo se centra en el artista sudafricano William Kentridge cuyos trabajos multidim…